@incollection{fdi:010078704,
  title = {{B}lending music and politics at the margins of {B}eirut},
  author = {{P}uig, {N}icolas},
  editor = {},
  language = {{ENG}},
  abstract = {{S}ampling is an approach to composing music «with» others by incorporating audio fragments from various sources. {I}n this essay, anthropologist {N}icolas {P}uig discusses sample-based tracks by the {P}alestinian artist {O}sloob, who lived in {L}ebanon until he moved to {P}aris in 2014. {T}his innovative rapper and electronic music composer uses sampling to link the politicized art created in refugee camps to other critical art forms that redefine the relationship between the aesthetic and the political. {T}his article analyzes selected samples that {O}sloob created when he was living in {L}ebanon.},
  keywords = {{ANTHROPOLOGIE} {SOCIALE} ; {REFUGIE} ; {CONFLIT} {POLITIQUE} ; {MUSIQUE} ; {ART} {TRADITIONNEL} ; {RAP} ; {ETHNOGRAPHIE} ; {CRITIQUE} ; {LIBAN} ; {BEYROUTH}},
  booktitle = {{S}ampling politics today},
  volume = {1},
  numero = {},
  pages = {[8  en ligne]},
  address = {{B}ern},
  publisher = {{N}orient},
  series = {{N}orient {S}ound {S}eries},
  year = {2020},
  ISSN = {2673-639{X}},
  URL = {https://www.documentation.ird.fr/hor/fdi:010078704},
}