@article{fdi:010067106,
  title = {{T}he international migration of the images : the art of documentary film of propaganda and its universalization in the {XX}th century [trad. du chinois]},
  author = {{V}idal, {D}enis and {L}iu, {J}.},
  editor = {},
  language = {{CHI}},
  abstract = {{P}ropaganda and art history do not lie as far apart as we might think. {A}s we know, {A}by {W}arburg and many other art historians (such as {E}mile {M}ale, {E}rnst {G}ombricht or {K}enneth {C}lark) have not hesitated to put their knowledge in the service of propaganda for their homelands when circumstances required doing so. {A}t a more fundamental level, the problems of analyzing propaganda paradoxically force us to investigate some of art history's key postulates. {T}his is shown by focusing on the very beginnings of documentary films in the {B}ritish {E}mpire and {I}ndia.},
  keywords = {{INDE} ; {ROYAUME} {UNI}},
  booktitle = {},
  journal = {{U}niversitas : {M}onthly {R}eview on {P}hilosophy and {C}ulture},
  volume = {41},
  numero = {11},
  pages = {71--90},
  ISSN = {1015-8383},
  year = {2014},
  URL = {https://www.documentation.ird.fr/hor/fdi:010067106},
}